Text 5: The Ransom of Red Chief

IT LOOKED LIKE A GOOD THING: but wait till I tell you. We were down South, in Alabama - Bill Driscoll and myself - when this kidnapping idea struck us. It was, as Bill afterward expressed it, “during a moment of temporary mental apparition”; but we didn't find that out till later.

There was a town down there, as flat as a flannel-cake, and called Summit, of course. It contained inhabitants of as undeleterious and self-satisfied a class of peasantry as ever clustered around a Maypole.

Bill and me had a joint capital of about six hundred dollars, and we needed just two thousand dollars more to pull off a fraudulent town-lot scheme in Western Illinois with. We talked it over on the front steps of the hotel. Philoprogenitiveness, says we, is strong in semi-rural communities; therefore and for other reasons, a kidnapping project ought to do better there than in the radius of newspapers that send reporters out in plain clothes to stir up talk about such things. We knew that Summit couldn't get after us with anything stronger than constables and maybe some lackadaisical bloodhounds and a diatribe or two in the Weekly Farmers' Budget. So, it looked good.

We selected for our victim the only child of a prominent citizen named Ebenezer Dorset. The father was respectable and tight, a mortgage fancier and a stern, upright collection-plate passer and forecloser. The kid was a boy of ten, with bas-relief freckles, and hair the color of the cover of the magazine you buy at the news-stand when you want to catch a train. Bill and me figured that Ebenezer would melt down for a ransom of two thousand dollars to a cent. But wait till I tell you.

About two miles from Summit was a little mountain, covered with a dense cedar brake. On the rear elevation of this mountain was a cave. There we stored provisions.

One evening after sundown, we drove in a buggy past old Dorset's house. The kid was in the street, throwing rocks at a kitten on the opposite fence.

“Hey, little boy!” says Bill, “would you like to have a bag of candy and a nice ride?”

The boy catches Bill neatly in the eye with a piece of brick.

“That will cost the old man an extra five hundred dollars,” says Bill, climbing over the wheel.

That boy put up a fight like a welter-weight cinnamon bear; but, at last, we got him down in the bottom of the buggy and drove away. We took him up to the cave and I hitched the horse in the cedar brake. After dark I drove the buggy to the little village, three miles away, where we had hired it, and walked back to the mountain.

Bill was pasting court-plaster over the scratches and bruises on his features. There was a burning behind the big rock at the entrance of the cave, and the boy was watching a pot of boiling coffee, with two buzzard tailfeathers stuck in his red hair. He points a stick at me when I come up, and says:

“Ha! cursed paleface, do you dare to enter the camp of Red Chief, the terror of the plains?”

“He's all right now,” says Bill, rolling up his trousers and examining some bruises on his shins. “We're playing Indian. We're making Buffalo Bill's show look like magic-lantern views of Palestine in the town hall. I'm Old Hank, the Trapper, Red Chief's captive, and I'm to be scalped at daybreak. By Geronimo! That kid can kick hard.”

Yes, sir, that boy seemed to be having the time of his life. The fun of camping out in a cave had made him forget that he was a captive, himself. He immediately christened me Snake-eye, the Spy, and announced that, when his braves returned from the warpath, I was to be broiled at the stake at the rising of the sun.

Then we had supper; and he filled his mouth full of bacon and bread and gravy, and began to talk. He made a during-dinner speech something like this:

“I like this fine. I never camped out before; but I had a pet 'possum once, and I was nine last birthday. I hate to go to school. Rats ate up sixteen of Jimmy Talbot's aunt's speckled hen's eggs. Are there any real Indians in these woods? I want some more gravy. Does the trees moving make the wind blow? We had five puppies. What makes your nose so red, Hank? My father has lots of money. Are the stars hot? I whipped Ed Walker twice, Saturday. I don't like girls. You dassent catch toads unless with a string. Do oxen make any noise? Why are oranges round? Have you got beds to sleep on in this cave? Amos Murray has got six toes. A parrot can talk, but a monkey or a fish can't. How many does it take to make twelve?”

Every few minutes he would remember that he was a pesky redskin, and pick up his stick rifle and tiptoe to the mouth of the cave to rubber for the scouts of the hated paleface. Now and then he would let out a war-whoop that made Old Hank the Trapper shiver. That boy had Bill terrorized from the start.

“Red Chief,” says I to the kid, “would you like to go home?”

“Aw, what for?” says he. “I don't have any fun at home. I hate to go to school. I like to camp out. You won't take me back home again, Snake-eye, will you?”

“Not right away,” says I. “We'll stay here in the cave a while.”

“All right!” says he. “That'll be fine. I never had such fun in all my life.”

We went to bed about eleven o'clock. We spread down some wide blankets and quilts and put Red Chief between us. We weren't afraid he'd run away. He kept us awake for three hours, jumping up and reaching for his rifle and screeching: “Hist! pard,” in mine and Bill's ears, as the fancied crackle of a twig or the rustle of a leaf revealed to his young imagination the stealthy approach of the outlaw band. At last, I fell into a troubled sleep, and dreamed that I had been kidnapped and chained to a tree by a ferocious pirate with red hair.

Just at daybreak, I was awakened by a series of awful screams from Bill. They weren't yells, or howls, or shouts, or whoops, or yalps, such as you'd expect from a manly set of vocal organs - they were simply indecent, terrifying, humiliating screams, such as women emit when they see ghosts or caterpillars. It's an awful thing to hear a strong, desperate, fat man scream incontinently in a cave at daybreak.

I jumped up to see what the matter was. Red Chief was sitting on Bill's chest, with one hand twined in Bill's hair. In the other he had the sharp case-knife we used for slicing, bacon; and he was industriously and realistically trying to take Bill's scalp, according to the sentence that had been pronounced upon him the evening before.

I got the knife away from the kid and made him lie down again. But, from that moment, Bill's spirit was broken. He laid down on his side of the bed, but he never closed an eye again in sleep as long as that boy was with us. I dozed off for a while, but along toward sun-up I remembered that Red Chief had said I was to be burned at the stake at the rising of the sun. I wasn't nervous or afraid; but I sat up and lit my pipe and leaned against a rock.

“What you getting up so soon for, Sam?” asked Bill.

“Me?” says I. “Oh, I got a kind of a pain in my shoulder. I thought sitting up would rest it.”

“You're a liar!” says Bill. “You're afraid. You was to be burned at sunrise, and you was afraid he'd do it. And he would, too, if he could find a match. Ain't it awful, Sam? Do you think anybody will pay out money to get a little imp like that back home?”

“Sure,” said I. “A rowdy kid like that is just the kind that parents dote on. Now, you and the Chief get up and cook breakfast, while I go up on the top of this mountain and reconnoitre.”

I went up on the peak of the little mountain and ran my eye over the contiguous vicinity. Over toward Summit I expected to see the sturdy yeomanry of the village armed with scythes and pitchforks beating the countryside for the dastardly kidnappers. But what I saw was a peaceful landscape dotted with one man ploughing with a dun mule. Nobody was dragging the creek; no couriers dashed hither and yon, bringing tidings of no news to the distracted parents. There was a sylvan attitude of somnolent sleepiness pervading that section of the external outward surface of Alabama that lay exposed to my view. “Perhaps,” says I to myself, “it has not yet been discovered that the wolves have home away the tender lambkin from the fold. Heaven help the wolves!” says I, and I went down the mountain to breakfast.

When I got to the cave I found Bill backed up against the side of it, breathing hard, and the boy threatening to smash him with a rock half as big as a cocoanut.

“He put a red-hot boiled potato down my back,” explained Bill, “and the mashed it with his foot; and I boxed his ears. Have you got a gun about you, Sam?”

I took the rock away from the boy and kind of patched up the argument. “I'll fix you,” says the kid to Bill. “No man ever yet struck the Red Chief but what he got paid for it. You better beware!”

After breakfast the kid takes a piece of leather with strings wrapped around it out of his pocket and goes outside the cave unwinding it.

“What's he up to now?” says Bill, anxiously. “You don't think he'll run away, do you, Sam?”

“No fear of it,” says I. “He don't seem to be much of a home body. But we've got to fix up some plan about the ransom. There don't seem to be much excitement around Summit on account of his disappearance; but maybe they haven't realized yet that he's gone. His folks may think he's spending the night with Aunt Jane or one of the neighbours. Anyhow, he'll be missed to-day. To-night we must get a message to his father demanding the two thousand dollars for his return.”

Just then we heard a kind of war-whoop, such as David might have emitted when he knocked out the champion Goliath. It was a sling that Red Chief had pulled out of his pocket, and he was whirling it around his head.

I dodged, and heard a heavy thud and a kind of a sigh from Bill, like a horse gives out when you take his saddle off. A niggerhead rock the size of an egg had caught Bill just behind his left ear. He loosened himself all over and fell in the fire across the frying pan of hot water for washing the dishes. I dragged him out and poured cold water on his head for half an hour.

By and by, Bill sits up and feels behind his ear and says: “Sam, do you know who my favorite Biblical character is?”

“Take it easy,” says I. “You'll come to your senses presently.”

“King Herod,” says he. “You won't go away and leave me here alone, will you, Sam?”

I went out and caught that boy and shook him until his freckles rattled.

“If you don't behave,” says I, “I'll take you straight home. Now, are you going to be good, or not?”

“I was only funning,” says he sullenly. “I didn't mean to hurt Old Hank. But what did he hit me for? I'll behave, Snake-eye, if you won't send me home, and if you'll let me play the Black Scout today.”

“I don't know the game,” says I. “That's for you and Mr. Bill to decide. He's your playmate for the day. I'm going away for a while, on business. Now, you come in and make friends with him and say you are sorry for hurting him, or home you go, at once.”

I made him and Bill shake hands, and then I took Bill aside and told him I was going to Poplar Cove, a little village three miles from the cave, and find out what I could about how the kidnapping had been regarded in Summit. Also, I thought it best to send a peremptory letter to old man Dorset that day, demanding the ransom and dictating how it should be paid.

“You know, Sam,” says Bill, “I've stood by you without batting an eye in earthquakes, fire and flood - in poker games, dynamite outrages, police raids, train robberies and cyclones. I never lost my nerve yet till we kidnapped that two-legged skyrocket of a kid. He's got me going. You won't leave me long with him, will you, Sam?”

“I'll be back some time this afternoon,” says I. “You must keep the boy amused and quiet till I return. And now we'll write the letter to old Dorset.”

Bill and I got paper and pencil and worked on the letter while Red Chief, with a blanket wrapped around him, strutted up and down, guarding the mouth of the cave. Bill begged me tearfully to make the ransom fifteen hundred dollars instead of two thousand.

“I ain't attempting,” says he, “to decry the celebrated moral aspect of parental affection, but we're dealing with humans, and it ain't human for anybody to give up two thousand dollars for that forty-pound chunk of freckled wildcat. I'm willing to take a chance at fifteen hundred dollars. You can charge the difference up to me.”

So, to relieve Bill, I acceded, and we collaborated a letter that ran this way:

Ebenezer Dorset, Esq.:

We have your boy concealed in a place far from Summit. It is useless for you or the most skilful detectives to attempt to find him. Absolutely, the only terms on which you can have him restored to you are these: We demand fifteen hundred dollars in large bills for his return; the money to be left at midnight to-night at the same spot and in the same box as your reply - as hereinafter described. If you agree to these terms, send your answer in writing by a solitary messenger to-night at half-past eight o'clock. After crossing Owl Creek, on the road to Poplar Cove, there are three large trees about a hundred yards apart, close to the fence of the wheat field on the right-hand side. At the bottom of the fence-post, opposite the third tree, will be found a small pasteboard box. The messenger will place the answer in this box and return immediately to Summit.

If you attempt any treachery or fail to comply with our demand as stated, you will never see your boy again.

If you pay the money as demanded, he will be returned to you safe and well within three hours. These terms are final, and if you do not accede to them no further communication will be attempted.

TWO DESPERATE MEN.

I addressed this letter to Dorset, and put it in my pocket. As I was about to start, the kid comes up to me and says:

“Aw, Snake-eye, you said I could play the Black Scout while you was gone.”

“Play it, of course,” says I. “Mr. Bill will play with you. What kind of a game is it?”

“I'm the Black Scout,” says Red Chief, “and I have to ride to the stockade to warn the settlers that the Indians are coming. I'm tired of playing Indian myself. I want to be the Black Scout.”

“All right,” says I. “It sounds harmless to me. I guess Mr. Bill will help you foil the pesky savages.”

“What am I to do?” asks Bill, looking at the kid suspiciously.

“You are the hoss,” says Black Scout. “Get down on your hands and knees. How can I ride to the stockade without a hoss?”

“You'd better keep him interested,” said I, “till we get the scheme going. Loosen up.”

Bill gets down on his all fours, and a look comes in his eye like a rabbit's when you catch it in a trap.

“How far is it to the stockade, kid?” he asks, in a husky manner of voice.

“Ninety miles,” says the Black Scout. “And you have to hump yourself to get there on time. Whoa, now!”

The Black Scout jumps on Bill's back and digs his heels in his side.

“For Heaven's sake,” says Bill, “hurry back, Sam, as soon as you can. I wish we hadn't made the ransom more than a thousand. Say, you quit kicking me or I'll get up and warm you good.”

I walked over to Poplar Cove and sat around the post-office and store, talking with the chawbacons that came in to trade. One whiskerando says that he hears Summit is all upset on account of Elder Ebenezer Dorset's boy having been lost or stolen. That was all I wanted to know. I bought some smoking tobacco, referred casually to the price of black-eyed peas, posted my letter surreptitiously and came away. The postmaster said the mail-carrier would come by in an hour to take the mail on to Summit.

When I got back to the cave Bill and the boy were not to be found. I explored the vicinity of the cave, and risked a yodel or two, but there was no response.

So I lighted my pipe and sat down on a mossy bank to await developments.

In about half an hour I heard the bushes rustle, and Bill wabbled out into the little glade in front of the cave. Behind him was the kid, stepping softly like a scout, with a broad grin on his face. Bill stopped, took off his hat and wiped his face with a red handkerchief. The kid stopped about eight feet behind him.

“Sam,” says Bill, “I suppose you'll think I'm a renegade, but I couldn't help it. I'm a grown person with masculine proclivities and habits of self-defense, but there is a time when all systems of egotism and predominance fail. The boy is gone. I have sent him home. All is off. There was martyrs in old times,” goes on Bill, “that suffered death rather than give up the particular graft they enjoyed. None of 'em ever was subjugated to such supernatural tortures as I have been. I tried to be faithful to our articles of depredation; but there came a limit.”

“What's the trouble, Bill?” I asks him.

“I was rode,” says Bill, “the ninety miles to the stockade, not barring an inch. Then, when the settlers was rescued, I was given oats. Sand ain't a palatable substitute. And then, for an hour I had to try to explain to him why there was nothin' in holes, how a road can run both ways and what makes the grass green. I tell you, Sam, a human can only stand so much. I takes him by the neck of his clothes and drags him down the mountain. On the way he kicks my legs black-and-blue from the knees down; and I've got to have two or three bites on my thumb and hand cauterized.”

“But he's gone” - continues Bill - “gone home. I showed him the road to Summit and kicked him about eight feet nearer there at one kick. I'm sorry we lose the ransom; but it was either that or Bill Driscoll to the madhouse.”

Bill is puffing and blowing, but there is a look of ineffable peace and growing content on his rose-pink features.

“Bill,” says I, “there isn't any heart disease in your family, is there?”

“No,” says Bill, “nothing chronic except malaria and accidents. Why?”

“Then you might turn around,” says I, “and have a took behind you.”

Bill turns and sees the boy, and loses his complexion and sits down plump on the round and begins to pluck aimlessly at grass and little sticks. For an hour I was afraid for his mind. And then I told him that my scheme was to put the whole job through immediately and that we would get the ransom and be off with it by midnight if old Dorset fell in with our proposition. So Bill braced up enough to give the kid a weak sort of a smile and a promise to play the Russian in a Japanese war with him is soon as he felt a little better.

I had a scheme for collecting that ransom without danger of being caught by counterplots that ought to commend itself to professional kidnappers. The tree under which the answer was to be left - and the money later on - was close to the road fence with big, bare fields on all sides. If a gang of constables should be watching for any one to come for the note they could see him a long way off crossing the fields or in the road. But no, sirree! At half-past eight I was up in that tree as well hidden as a tree toad, waiting for the messenger to arrive.

Exactly on time, a half-grown boy rides up the road on a bicycle, locates the pasteboard box at the foot of the fence-post, slips a folded piece of paper into it and pedals away again back toward Summit.

I waited an hour and then concluded the thing was square. I slid down the tree, got the note, slipped along the fence till I struck the woods, and was back at the cave in another half an hour. I opened the note, got near the lantern and read it to Bill. It was written with a pen in a crabbed hand, and the sum and substance of it was this:

Two Desperate Men.

Gentlemen: I received your letter to-day by post, in regard to the ransom you ask for the return of my son. I think you are a little high in your demands, and I hereby make you a counter-proposition, which I am inclined to believe you will accept. You bring Johnny home and pay me two hundred and fifty dollars in cash, and I agree to take him off your hands. You had better come at night, for the neighbours believe he is lost, and I couldn't be responsible for what they would do to anybody they saw bringing him back.

Very respectfully,

EBENEZER DORSET.

“Great pirates of Penzance!” says I; “of all the impudent – “

But I glanced at Bill, and hesitated. He had the most appealing look in his eyes I ever saw on the face of a dumb or a talking brute.

“Sam,” says he, “what's two hundred and fifty dollars, after all? We've got the money. One more night of this kid will send me to a bed in Bedlam. Besides being a thorough gentleman, I think Mr. Dorset is a spendthrift for making us such a liberal offer. You ain't going to let the chance go, are you?”

“Tell you the truth, Bill,” says I, “this little he ewe lamb has somewhat got on my nerves too. We'll take him home, pay the ransom and make our get-away.”

We took him home that night. We got him to go by telling him that his father had bought a silver-mounted rifle and a pair of moccasins for him, and we were going to hunt bears the next day.

It was just twelve o'clock when we knocked at Ebenezer s front door. Just at the moment when I should have been abstracting the fifteen hundred dollars from the box under the tree, according to the original proposition, Bill was counting out two hundred and fifty dollars into Dorset's hand.

When the kid found out we were going to leave him at home he started up a howl like a calliope and fastened himself as tight as a leech to Bill's leg. His father peeled him away gradually, like a porous plaster.

“How long can you hold him?” asks Bill.

“I'm not as strong as I used to be,” says old Dorset, “but I think I can promise you ten minutes.”

“Enough,” says Bill. “In ten minutes I shall cross the Central, Southern and Middle Western States, and be legging it trippingly for the Canadian border.”

And, as dark as it was, and as fat as Bill was, and as good a runner as I am, he was a good mile and a half out of Summit before I could catch up with him.

Tasks

Comprehension

I. Are the following statements true or false. Correct the false ones:

  1. The idea of kidnapping came to Bill first.
  2. Bill and Sam hoped to make fortune by kidnapping.
  3. The cave where they thought to keep the boy was not far from the house.
  4. Bill and Sam caught the boy when he was throwing stones at them.
  5. Johnny felt happy at the cave.
  6. The boy called Sam Red Chief.
  7. The boy was going to burn Sam in the fire at sunrise.
  8. Bill had a good time playing Indian with Johnny.
  9. The first night in the cave with the boy was terrible.
  10. The next morning Sam realized that the parents had already discovered their son’s disappearance.
  11. In the letter Bill and Sam demanded two thousand dollars for the boy’s return.
  12. On returning to the cave Sam found that the boy had gone.
  13. Mr. Dorset almost agreed to the kidnapper’s terms.
  14. The father’s messenger brought the answer to the cave.
  15. The boy cost the kidnappers two hundred dollars.

Vocabulary

II. Give the translation of the phrases and make up sentences with them:

  1. осенила блестящая идея;
  2. совместный капитал;
  3. поставить синяк под глазом;
  4. повеселиться на славу;
  5. испускать боевой клич;
  6. сломить чей-либо дух;
  7. надрать уши;
  8. домосед;
  9. “Не обращай внимания”;
  10. прийти в чувство;
  11. и глазом не моргнув;
  12. потерять самообладание;
  13. родительская любовь;
  14. рискнуть;
  15. целый и невредимый;
  16. на четвереньках;
  17. сплошь в синяках;
  18. действовать на нервы.

III. Translate the following sentences into Russian. Comment on similes and hyperboles/exaggerations:

  1. There was a town down there, as flat as a flannel-cake, and called Summit, of course.
  2. That boy put up a fight like a welter-weight cinnamon bear; but, at last, we got him down in the bottom of the buggy and drove away.
  3. We're making Buffalo Bill's show look like magic-lantern views of Palestine in the town hall.
  4. When I got to the cave I found Bill backed up against the side of it, breathing hard, and the boy threatening to smash him with a rock half as big as a cocoanut.
  5. I went out and caught that boy and shook him until his freckles rattled.
  6. "You know, Sam," says Bill, "I've stood by you without batting an eye in earthquakes, fire and flood - in poker games, dynamite outrages, police raids, train robberies and cyclones. I never lost my nerve yet till we kidnapped that two-legged skyrocket of a kid.
  7. Bill gets down on his all fours, and a look comes in his eye like a rabbit's when you catch it in a trap.
  8. Behind him was the kid, stepping softly like a scout, with a broad grin on his face.
  9. There was martyrs in old times," goes on Bill, "that suffered death rather than give up the particular graft they enjoyed. None of 'em ever was subjugated to such supernatural tortures as I have been.
  10. At half-past eight I was up in that tree as well hidden as a tree toad, waiting for the messenger to arrive.
  11. When the kid found out we were going to leave him at home he started up a howl like a calliope and fastened himself as tight as a leech to Bill's leg. His father peeled him away gradually, like a porous plaster.
  12. "In ten minutes I shall cross the Central, Southern and Middle Western States, and be legging it trippingly for the Canadian border."

IV. Match the phrasal verbs with their definitions:

  1. to talk smth. over
a. to succeed in doing smth. difficult;
  1. to pull smth. off
b. to continue with and complete a plan, program, etc.;
  1. to let smth. out
c. to live outside for a short time;
  1. to fix smth. up
d. to feel and show great love for smb., ignoring their faults;
  1. to put smth. through
e. to give a cry;
  1. to stir smth. up
f. to try to cause arguments or problems;
  1. to camp out
g. to repair, decorate or make smth. ready;
  1. to dote on
h. to find and punish smb. after some time (especially the police or authorities);
  1. to catch up with
i. to discuss smth. thoroughly, especially in order to reach an agreement or make a decision;

V. Fill in with, to or of:

  1. The two men were so tired … their little friend that they were ready to agree … any of Mr. Dorset’s proposals.
  2. It was very difficult for Bill to be kind … that freckled wild cat.
  3. Sam tried to be as polite as he could … the boy when he talked … him.
  4. Bill had to be rude … the little devil for all he had done … Bill.
  5. Kidnapping seemed … both … them the best way to get a lot … money.
  6. He was a boy … ten, … a face full … freckles.
  7. A low mountain covered … a thick wood … a cave in it seemed a good place to keep the boy.
  8. Bill was sitting at the entrance … the cave all covered … scratches.
  9. Bill had never been afraid … the police or anything till the time when he had to stay … that two-legged skyrocket.
  10. When at last Sam fell asleep, he had an awful dream that he was tied … a tree by a pirate ... red hair.

Speaking

VI. Answer the questions:

  1. Who were the two persons who tried to kidnap a child?
  2. What sort of ransom did they hope to get for the child?
  3. Who was the boy and what was he like?
  4. Where did Sam and Bill take up the boy?
  5. What was the first thing the boy did to Bill?
  6. What did you learn about the boy from his dinner speech?
  7. In what way did the boy terrorized Sam and Bill the first night in the cave?
  8. What else did the boy do to Bill?
  9. Did the boy’s father notice his disappearance?
  10. In what way did Sam and Bill let the father know what they wanted to get for the kidnapped boy?
  11. What sort of proposition did they make?
  12. What made Sam and Bill ask less ransom than they originally wanted?
  13. In what way did Sam get the answer from Ebenezer Dorset?
  14. What was the counter-proposition?
  15. What happened to Sam and Bill in the end?
  16. Who paid the ransom?

VII. Prove that:

  1. Sam and Bill were not rich.
  2. Sam and Bill were friends.
  3. Kidnapping Johnny was not their first adventurous idea.
  4. It was Sam who mainly gave ideas.
  5. Johnny was not an ordinary boy.
  6. The two men were not very poor.
  7. Mr. Dorset did not take risks when he made his counter-proposition.
  8. The two men were happy to have Red Chief off their hands.

VIII. What do you think:

  1. of Sam’s and Bill’s background? Do you think their way of making their living was illegal/legal? What tells you about this?
  2. about Johnny? Is there anything that you like about him? Is he as bad as that? What tells you about this?
  3. Does Johnny remind you of your own childhood in this or that way? What are similarities and differences?
  4. What kind of a man do you think Johnny will make?
  5. Would you like to have a son like Johnny? Why? Why not? If you had the son like Johnny, what would you do?
  6. makes Johnny behave like that? What makes him impolite (mildly speaking) to the people?

Writing

  1. Write Character sketches of Bill Driscoll, Sam Howard and Johnny Dorset.
  2. What is a hyperbole and comic language used in this story?
  3. O’Henry is known for writing stories with unexpected twists and turns. Use details from the Ransom of Red Chief to explain how the story illustrates this description.

Text 6: Babes in the Jungle

MONTAGUE SILVER, the finest street man and art grafter in the West, says to me once in Little Rock: “If you ever lose your mind, Billy, and get too old to do honest swindling among grown men, go to New York. In the West a sucker is born every minute; but in New York they appear in chunks of roe - you can't count 'em!”

Two years afterward I found that I couldn't remember the names of the Russian admirals, and I noticed some gray hairs over my left ear; so I knew the time had arrived for me to take Silver's advice.

I struck New York about noon one day, and took a walk up Broadway. And I run against Silver himself, all encompassed up in a spacious kind of haberdashery, leaning against a hotel and rubbing the half-moons on his nails with a silk handkerchief.

“Paresis or superannuated?” I asks him.

“Hello, Billy,” says Silver; “I'm glad to see you. Yes, it seemed to me that the West was accumulating a little too much wiseness. I've been saving New York for dessert. I know it's a low-down trick to take things from these people. They only know this and that and pass to and fro and think ever and anon. I'd hate for my mother to know I was skinning these weak-minded ones. She raised me better.”

“Is there a crush already in the waiting rooms of the old doctor that does skin grafting?” I asks.

“Well, no,” says Silver; “you needn't back Epidermis to win today. I've only been here a month. But I'm ready to begin; and the members of Willie Manhattan's Sunday School class, each of whom has volunteered to contribute a portion of cuticle toward this rehabilitation, may as well send their photos to the Evening Daily.”

“I've been studying the town,” says Silver, “and reading the papers every day, and I know it as well as the cat in the City Hall knows an O'Sullivan. People here lie down on the floor and scream and kick when you are the least bit slow about taking money from them. Come up in my room and I'll tell you. We'll work the town together, Billy, for the sake of old times.”

Silver takes me up in a hotel. He has a quantity of irrelevant objects lying about.

“There's more ways of getting money from these metropolitan hayseeds,” says Silver, “than there is of cooking rice in Charleston, S. C. They'll bite at anything. The brains of most of 'em commute. The wiser they are in intelligence the less perception of cognizance they have. Why, didin't a man the other day sell J. P. Morgan an oil portrait of Rockefeller, Jr., for Andrea del Sarto's celebrated painting of the young Saint John!”

“You see that bundle of printed stuff in the corner, Billy? That's gold mining stock. I started out one day to sell that, but I quit it in two hours. Why? Got arrested for blocking the street. People fought to buy it. I sold the policeman a block of it on the way to the station-house, and then I took it off the market. I don't want people to give me their money. I want some little consideration connected with the transaction to keep my pride from being hurt. I want 'em to guess the missing letter in Chic-go, or draw to a pair of nines before they pay me a cent of money.”

“Now there's another little scheme that worked so easy I had to quit it. You see that bottle of blue ink on the table? I tattooed an anchor on the back of my hand and went to a bank and told 'em I was Admiral Dewey's nephew. They offered to cash my draft on him for a thousand, but I didn't know my uncle's first name. It shows, though, what an easy town it is. As for burglars, they won't go in a house now unless there's a hot supper ready and a few college students to wait on 'em. They're slugging citizens all over the upper part of the city and I guess, taking the town from end to end, it's a plain case of assault and Battery.”

“Monty,” says I, when Silver had slacked, up, “you may have Manhattan correctly discriminated in your perorative, but I doubt it. I've only been in town two hours, but it don't dawn upon me that it's ours with a cherry in it. There ain't enough rus in urbe about it to suit me. I'd be a good deal much better satisfied if the citizens had a straw or more in their hair, and run more to velveteen vests and buckeye watch charms. They don't look easy to me.”

“You've got it, Billy,” says Silver. “All emigrants have it. New York's bigger than Little Rock or Europe, and it frightens a foreigner. You'll be all right. I tell you I feel like slapping the people here because they don't send me all their money in laundry baskets, with germicide sprinkled over it. I hate to go down on the street to get it. Who wears the diamonds in this town? Why, Winnie, the Wiretapper's wife, and Bella, the Buncosteerer's bride. New Yorkers can be worked easier than a blue rose on a tidy. The only thing that bothers me is I know I'll break the cigars in my vest pocket when I get my clothes all full of twenties.”

“I hope you are right, Monty,” says I; “but I wish all the same I had been satisfied with a small business in Little Rock. The crop of farmers is never so short out there but what you can get a few of 'em to sign a petition for a new post office that you can discount for $200 at the county bank. The people hear appear to possess instincts of self-preservation and illiberality. I fear me that we are not cultured enough to tackle this game.”

“Don't worry,” says Silver. “I've got this Jayville-near-Tarrytown correctly estimated as sure as North River is the Hudson and East River ain't a river. Why, there are people living in four blocks of Broadway who never saw any kind of a building except a skyscraper in their lives! A good, live hustling Western man ought to get conspicuous enough here inside of three months to incur either Jerome's clemency or Lawson's displeasure.”

“Hyperbole aside,” says I, “do you know of any immediate system of buncoing the community out of a dollar or two except by applying to the Salvation Army or having a fit on Miss Helen Gould's doorsteps?”

“Dozens of 'em,” says Silver. “How much capital have you got, Billy?”

“A thousand,” I told him.

“I've got $1,200,” says he. “We'll pool and do a big piece of business. There's so many ways we can make a million that I don't know how to begin.”

The next morning Silver meets me at the hotel and he is all sonorous and stirred with a kind of silent joy.

“We're to meet J. P. Morgan this afternoon,” says he. “A man I know in the hotel wants to introduce us. He's a friend of his. He says he likes to meet people from the West.”

“That sounds nice and plausible,” says I. “I'd like to know Mr. Morgan.”

“It won't hurt us a bit,” says Silver, “to get acquainted with a few finance kings. I kind of like the social way New York has with strangers.”

The man Silver knew was named Klein. At three o'clock Klein brought his Wall Street friend to see us in Silver's room. "Mr. Morgan" looked some like his pictures, and he had a Turkish towel wrapped around his left foot, and he walked with a cane.

“Mr. Silver and Mr. Pescud,” says Klein. “It sounds superfluous,” says he, “to mention the name of the greatest financial –“

“Cut it out, Klein,” says Mr. Morgan. “I'm glad to know you gents; I take great interest in the West. Klein tells me you're from Little Rock. I think I've a railroad or two out there somewhere. If either of you guys would like to deal a hand or two of stud poker I –“

“Now, Pierpont,” cuts in Klein, “you forget!”

“Excuse me, gents!” says Morgan; “since I've had the gout so bad I sometimes play a social game of cards at my house. Neither of you never knew One-eyed Peters, did you, while you was around Little Rock? He lived in Seattle, New Mexico.”

Before we could answer, Mr. Morgan hammers on the floor with his can and begins to walk up and down, swearing in a loud tone of voice.

“They have been pounding your stocks today on the Street, Pierpont?” asks Klein, smiling.

“Stocks! No!” roars Mr. Morgan. “It's that picture I sent an agent to Europe to buy. I just thought about it. He cabled me to-day that it ain't to be found in all Italy. I'd pay $50,000 to-morrow for that picture - yes, $75,000. I give the agent a la carte in purchasing it. I cannot understand why the art galleries will allow a De Vinchy to –“

“Why, Mr. Morgan,” says klein; “I thought you owned all of the De Vinchy paintings.”

“What is the picture like, Mr. Morgan?” asks Silver. “It must be as big as the side of the Flatiron Building.”

“I'm afraid your art education is on the bum, Mr. Silver,” says Morgan. “The picture is 27 inches by 42; and it is called 'Love's Idle Hour.' It represents a number of cloak models doing the two-step on the bank of a purple river. The cablegram said it might have been brought to this country. My collection will never be complete without that picture. Well, so long, gents; us financiers must keep early hours.”

Mr. Morgan and Klein went away together in a cab. Me and Silver talked about how simple and unsuspecting great people was; and Silver said what a shame it would be to try to rob a man like Mr. Morgan; and I said I thought it would be rather imprudent, myself. Klein proposes a stroll after dinner; and me and him and Silver walks down toward Seventh Avenue to see the sights. Klein sees a pair of cuff links that instigate his admiration in a pawnshop window, and we all go in while he buys 'em.

After we got back to the hotel and Klein had gone, Silver jumps at me and waves his hands.

“Did you see it?” says he. “Did you see it, Billy?”

“What?” I asks.

“Why, that picture that Morgan wants. It's hanging in that pawnshop, behind the desk. I didn't say anything because Klein was there. It's the article sure as you live. The girls are as natural as paint can make them, all measuring 36 and 25 and 42 skirts, if they had any skirts, and they're doing a buck-and-wing on the bank of a river with the blues. What did Mr. Morgan say he'd give for it? Oh, don't make me tell you. They can't know what it is in that pawnshop.”

When the pawnshop opened the next morning me and Silver was standing there as anxious as if we wanted to soak our Sunday suit to buy a drink. We sauntered inside, and began to look at watch-chains.

“That's a violent specimen of a chromo you've got up there," remarked Silver, casual, to the pawnbroker. "But I kind of enthuse over the girl with the shoulderblades and red bunting. Would an offer of $2.25 for it cause you to knock over any fragile articles of your stock in hurrying it off the nail?”

The pawnbroker smiles and goes on showing us plate watch-chains.

“That picture,” says he, “was pledged a year ago by an Italian gentleman. I loaned him $500 on it. It is called 'Love's Idle Hour,' and it is by Leonardo de Vinchy. Two days ago the legal time expired, and it became an unredeemed pledge. Here is a style of chain that is worn a great deal now.”

At the end of half an hour me and Silver paid the pawnbroker $2,000 and walked out with the picture. Silver got into a cab with it and started for Morgan's office. I goes to the hotel and waits for him. In two hours Silver comes back.

“Did you see Mr. Morgan?” I asks. “How much did he pay you for it?”

Silver sits down and fools with a tassel on the table cover.

“I never exactly saw Mr. Morgan,” he says, “because Mr. Morgan's been in Europe for a month. But what's worrying me, Billy, is this: The department stores have all got that same picture on sale, framed, for $3.48. And they charge $3.50 for the frame alone - that's what I can't understand.”

Tasks

Comprehension

I. Are the following statements true or false. Correct the false ones:

1. When the author came to New York he took a walk up Broadway.

2. Silver invited the author to his house.

3. Silver was arrested for selling the printed stuff in the street.

4. Silver tattooed an anchor on the back of his hand and went to a bank and told them he was Admiral Dewey’s nephew.

5. Mr. Morgan had a Turkish towel wrapped around his right foot, and he walked with a cane.

6. Da Vinchy’s painting was called “Love’s Idle Hour.”

7. The painting represented a number of cloak models doing the two-step on the bank of a sea.

8. Silver wanted to buy the picture at the pawnshop for $ 3.25.

9. Silver and the author paid the pawnbroker $ 2,000 for the painting.

10. Silver met Mr. Morgan at the hotel.

Vocabulary

II. Give the translation of the phrases and make up sentences with them:

  1. to lose mind;
  2. a low-down trick;
  3. ever and anon;
  4. for the sake of;
  5. instinct of self-preservation;
  6. take interest in;
  7. to walk up and down;
  8. on the bum;
  9. to see the sights;
  10. an unredeemed pledge.

III. Translate the following sentences into Russian. Comment on similes, an oxymoron and a pun:

  1. Montague Silver, the finest street man and art grafter in the West, says to me once in Little Rock: "If you ever lose your mind, Billy, and get too old to do honest swindling among grown men, go to New York.
  2. "I've been studying the town," says Silver, "and reading the papers every day, and I know it as well as the cat in the City Hall knows an O'Sullivan.
  3. They're slugging citizens all over the upper part of the city and I guess, taking the town from end to end, it's a plain case of assault and Battery."
  4. "What is the picture like, Mr. Morgan?" asks Silver. "It must be as big as the side of the Flatiron Building."
  5. The girls are as natural as paint can make them, all measuring 36 and 25 and 42 skirts, if they had any skirts, and they're doing a buck-and-wing on the bank of a river with the blues.

IV. Match the words with their definitions:

  1. illiberality
a. the crime of attacking smb. physically;
  1. sucker
b. a disease that causes painful swelling in the joints, especially of the toes, knees and fingers;
  1. haberdashery
c. a person who enters a building illegally in order to steal;
  1. paresis
d. a person who is easily tricked or persuaded to do so:
  1. cognizance
e. selfishness, miserliness;
  1. clemency
f. kindness shown to smb. when they are being punished; willingness not to punish smb. so severely;
  1. displeasure
g. partial paralysis;
  1. burglar
h. (old-fashioned) men’s clothes;
  1. gout
i. knowledge or understanding smth;
  1. assault
j. the feeling of being upset and annoyed;

V. Fill in the gaps with a necessary word or word-combination and translate the sentences:

meets me at the hotel
to introduce
the next morning
to keep my pride from
a good deal
up and down
  1. I want some little consideration connected with the transaction … being hurt.
  2. “I’d be … much better satisfied if the citizens had a straw or more in their hair. They don’t look easy to me.”
  3. The next morning Silver … and he is all sonorous and stirred with a kind of silent joy.
  4. “A man I know in the hotel wants … us.”
  5. Before we could answer, Mr. Morgan hammers on the floor with his cane and began to walk … .
  6. When the pawnshop opened … me and Silver was standing there as anxious as if we wanted to soak our Sunday suit to buy a drink

VI. Find in the text the sentences with the following word-combinations and translate them into Russian:

  1. it frightens a foreigner;
  2. any kind of a building except a skyscraper;
  3. I take great interest in the West;
  4. complete without that picture;
  5. smiles and goes on showing us;
  6. been in Europe for a month.

Speaking

VII. Answer the questions:

  1. Who was Montague Silver?
  2. Why did the author come to New York?
  3. Why did Sliver call the people of New York “metropolitan hayseeds?”
  4. Who was J.P. Morgan? How did he look like?
  5. What was the name of the picture Mr. Morgan wanted to buy?
  6. Where did Silver see the picture?
  7. How much did Silver and the author pay for the picture?
  8. Why wasn’t Mr. Morgan at the hotel?

VII. Comment on:

  1. The title of the story.
  2. The expression: “concrete jungle.” How does it relate to the story?
  3. The proverb: if in doubt, leave it out.

Writing

  1. Analyse the main idea of the story.
  2. Make the written analysis of the text.
  3. The role of hyperbole in the story.

Supplementary reading

Text 7: A Service of Love

WHEN ONE LOVES ONES ART no service seems too hard.That is our premise. This story shall draw a conclusion from it, and show at the same time that the premise is incorrect. That will be a new thing in logic, and a feat in story-telling somewhat older than the Great Wall of China.Joe Larrabee came out of the post-oak flats of the Middle West pulsing with a genius for pictorial art. At six he drew a picture of the town pump with a prominent citizen passing it hastily. This effort was framed and hung in the drug store window by the side of the ear of corn with an uneven number of rows. At twenty he left for New York with a flowing necktie and a capital tied up somewhat closer.Delia Caruthers did things in six octaves so promisingly in a pine-tree village in the South that her relatives chipped in enough in her chip hat for her to go `North' and `finish.' They could not see her f -, but that is our story.Joe and Delia met in an atelier where a number of art and music students had gathered to discuss chiaroscuro, Wagner, music, Rembrandt's works pictures, Waldteufel, wall-paper, Chopin, and Oolong.Joe and Delia became enamoured one of the other or each of the other, as you please, and in a short time were married - for (see above), when one loves one's Art no service seem too hard.Mr. and Mrs. Larrabee began housekeeping in a flat. It was a lonesome flat - something like the A sharp way down at the left-hand end of the keyboard. And they were happy; for they had their Art and they had each other. And my advice to the rich young man would be - sell all thou hast, and give it to the poor - janitor for the privilege of living in a flat with your Art and your Delia.Flat-dwellers shall endorse my dictum that theirs is the only true happiness. If a home is happy it cannot fit too close - let the dresser collapse and become a billiard table; let the mantel turn to a rowing machine, the escritoire to a spare bedchamber, the washstand to an upright piano; let the four walls come together, if they will, so you and your Delia are between. But if home be the other kind, let it be wide and long - enter you at the Golden Gate, hang your hat on Hatteras, your cape on Cape Horn, and go out by Labrador.Joe was painting in the class of the great Magister - you know his fame. His fees are high; his lessons are light - his high-lights have brought him renown. Delia was studying under Rosenstock you know his repute as a disturber of the piano keys.They were mighty happy as long as their money lasted. So is every - but I will not be cynical. Their aims were very clear and defined. Joe was to become capable very soon of turning out pictures that old gentlemen with thin side-whiskers and thick pocketbooks would sandbag one another in his studio for the privilege of buying. Delia was to become familiar and then contemptuous with Music, so that when she saw the orchestra seats and boxes unsold she could have sore throat and lobster in a private dining-room and refuse to go on the stage.But the best, in my opinion, was the home life in the little flat the ardent, voluble chats after the day's study; the cosy dinners and fresh, light breakfasts; the interchange of ambitions - ambitions interwoven each with the other's or else inconsiderable - the mutual help and inspiration; and - overlook my artlessness stuffed olives and cheese sandwiches at 11 p.m.But after awhile Art flagged. It sometimes does, even if some switchman doesn't flag it. Everything going out and nothing coming in, as the vulgarians say. Money was lacking to pay Mr. Magister and Herr Rosenstock their prices. When one loves one's Art no service seems too hard. So, Delia said she must give music lessons to keep the chafing dish bubbling.For two or three days she went out canvassing for pupils. One evening she came home elated.“Joe, dear,” she said gleefully, “I've a pupil. And, oh, the loveliest people! General - General A. B. Pinkney's daughter - on Seventy-first Street. Such a splendid house, Joe - you ought to see the front door! Byzantine I think you would call it. And inside! Oh, Joe, I never saw anything like it before. My pupil is his daughter Clementina. I dearly love her already. She's a delicate thing - dresses always in white; and the sweetest, simplest manners! Only eighteen years old. I'm to give three lessons a week; and, just think, Joe! $5 a lesson. I don't mind it a bit; for when I get two or three more pupils I can resume my lessons with Herr Rosenstock. Now, smooth out that wrinkle between your brows, dear, and let's have a nice supper.”“That's all right for you, Dele,' said Joe, attacking a can of peas with a carving knife and a hatchet, `but how about me? Do you think I'm going to let you hustle for wages while I philander in the regions of high art? Not by the bones of Benvenuto Cellini! I guess I can sell papers or lay cobblestones, and bring in a dollar or two.”Delia came and hung about his neck.“Joe, dear, you are silly. You must keep on at your studies. It is not as if I had quit my music and gone to work at something else. While I teach I learn. I am always with my music. And we can live as happily as millionaires on $15 a week. You mustn't think of leaving Mr. Magister.”“All right,” said Joe, reaching for the blue scalloped vegetable dish. “But I hate for you to be giving lessons. It isn't Art. But you're a trump and a dear to do it.”“When one loves one's Art no service seems too hard,” said Delia.“Magister praised the sky in that sketch I made in the. park,” said Joe. “And Tinkle gave me permission to hang two of them in his window. I may sell one if the right kind of a moneyed idiot sees them.”“I'm sure you will,” said Delia sweetly. “And now let's be thankful for General Pinkney and this veal roast.”During all of the next week the Larrabees had an early breakfast. Joe was enthusiastic about some morning-effect sketches he was doing in Central Park, and Delia packed him off breakfasted, coddled, praised, and kissed at seven o'clock. Art is an engaging mistress. It was most times seven o'clock when he returned in the evening.At the end of the week Delia, sweetly proud but languid, triumphantly tossed three five-dollar bills on the 8 by 10 (inches) centre table of the 8 by 10 (feet) flat parlour.“Sometimes,” she said, a little wearily, “Clementina tries me. I'm afraid she doesn't practise enough, and I have to tell her the same things so often. And then she always dresses entirely in white, and that does get monotonous. But General Pinkney is the dearest old man! I wish you could know him, Joe. He comes in sometimes when I am with Clementina at the piano - he is a widower, you know - and stands there pulling his white goatee. “And how are the semiquavers and the demi-semiquavers progressing?” he always asks.”“I wish you could see the wainscoting in that drawing-room, Joe! And those Astrakhan rug portieres. And Clementina has such a funny little cough. I hope she is stronger than she looks. Oh, I really am getting attached to her, she is so gentle and high bred. General Pinkney's brother was once Minister to Bolivia.”And then Joe, with the air of a Monte Cristo, drew forth a ten, a five, a two and a one - all legal tender notes - and laid them beside Delia's earnings.“Sold that water-color of the obelisk to a man from Peoria,” he announced overwhelmingly. “Don't joke with me,” said Delia – “not from Peoria!”“All the way. I wish you could see him, Dele. Fat man with a woollen muffler and a quill toothpick. He saw the sketch in Tinkle's window and thought it was a windmill at first. He was game, though, and bought it anyhow. He ordered another - an oil sketch of the Lackawanna freight depot - to take back with him. Music lessons! Oh, I guess Art is still in it.”М “I'm so glad you've kept on,” said Delia heartily. “You're bound to win, dear. Thirty-three dollars! We never had so much to spend before. We'll have oysters to-night.”“And filet mignon with champignons,” said Joe. “Where is the olive fork?”On the next Saturday evening Joe reached home first. He spread his $18 on the parlor table and washed what seemed to be a great deal of dark paint from his hands.Half an hour later l5elia arrived, her right hand tied up in a shapeless bundle of wraps and bandages.“How is this?'” asked Joe after the usual greetings Delia laughed, but not very joyously“Clementina,” she explained, “insisted upon a Welsh rabbit after her lesson. She is such a queer girl. Welsh rabbits at five in the afternoon. The General was there. You should have seen him run for the chafing dish, Joe, just as if there wasn't a servant in the house. I know Clementina isn't in good health; she is so nervous. In serving the rabbit she spilled a great lot of it, boiling hot, over my hand and wrist. It hurt awfully, Joe. And the dear girl was so sorry! But General Pinkney! - Joe, that old man nearly went distracted. He rushed downstairs and sent somebody - they said the furnace man or somebody in the basement - out to a drug store for some oil and things to bind it up with. It doesn't hurt so much now.”“What's this?” asked Joe, taking the hand tenderly and pulling at some white strands beneath the bandages.“It's something soft,” said Delia, “that had oil on it. Oh, Joe, did you sell another sketch?” She had seen the money on the table. “Did I?” said Joe. “Just ask the man from Peoria. He got his depot today, and he isn't sure but he thinks he wants another parkscape and a view on the Hudson. What time this afternoon did you burn your hand, Dele?”“Five o'clock, I think,” said Dele plaintively. “The iron - I mean the rabbit came off the fire about that time. You ought to have seen General Pinkney, Joe, when - ”“Sit down here a moment, Dele,” said Joe. He drew her to the couch, sat down beside her and put his arm across her shoulders. “What have you been doing for the last two weeks, Dele?” he asked.She braved it for a moment or two with an eye full of love and stubbornness, and murmured a phrase or two vaguely of General Pinkney; but at length down went her head and out came the truth and tears.“I couldn't get any pupils,” she confessed. “And I couldn't bear to have you give up your lessons; and I got a place ironing shirts in that big Twenty-fourth Street laundry. And I think I did very well to make up both General Pinkney and Clementina, don't you, Joe? And when a girl in the laundry set down a hot iron on my hand this afternoon I was all the way home making up that story about the Welsh rabbit. You're not angry are you, Joe? And if I hadn't got the work you mightn't have sold your sketches to that man from Peoria.”“He wasn't from Peoria,” said Joe slowly“Well, it doesn't matter where he was from. How clever you are Joe - and - ” kiss me, Joe - and what made you ever suspect that I wasn't giving music lessons to Clementina?”“I didn't,” said Joe, “until tonight. And I wouldn't have then only I sent up this cotton waste and oil from the engine-room this afternoon for a girl upstairs who had her hand burned with a smoothing-iron. I've been firing the engine in that laundry for the last two weeks.”“And then you didn't - ”“My purchaser from Peoria,” said Joe, “and General Pinkney are both creations of the same art - but you wouldn't call it either painting or music.”And then they both laughed, and Joe began: “When one loves one's Art no service seems – “But Delia stopped him with her hand on his lips. “No,” she said “just “When one loves.”” Text 8: The Trimmed Lamp

OF COURSE THERE ARE TWO SIDES TO THE QUESTION. Let us look at the other. We often hear “shop-girls” spoken of. No such persons exist.

There are girls who work in shops. They make their living that way. But why turn their occupation into an adjective? Let us be fair. We do not refer to the girls who live on Fifth Avenue as “marriage-girls.”

Lou and Nancy were chums. They came to the big city to find work because there was not enough to eat at their homes to go around. Nancy was nineteen; Lou was twenty. Both were pretty, active, country girls who had no ambition to go on the stage.

The little cherub that sits up aloft guided them to a cheap and respectable boarding-house. Both found positions and became wage-earners. They remained chums. It is at the end of six months that I would beg you to step forward and be introduced to them. Meddlesome Reader: My Lady friends, Miss Nancy and Miss Lou. While you are shaking hands please take notice –cautiously - of heir attire. Yes, cautiously; for they are as quick to resent a stare as a lady in a box at the horse show is.

Lou is a piece-work ironer in a hand laundry. She is clothed in a badly-fitting purple dress, and her hat plume is four inches too long; but her ermine muff and scarf cost $25, and its fellow beasts will be ticketed in the windows at $7.98 before the season is over. Her cheeks are pink, and her light blue eyes bright. Contentment radiates from her.

Nancy you would call a shop-girl - because you have the habit. There is no type; but a perverse generation is always seeking a type; so this is what the type should be. She has the high-ratted pompadour, and the exaggerated straight-front. Her skirt is shoddy, but has the correct flare. No furs protect her against the bitter spring air, but she wears her short broadcloth jacket as jauntily as though it were Persian lamb! On her face and in her eyes, remorseless type-seeker, is the typical shop-girl expression. It is a look of silent but contemptuous revolt against cheated womanhood; of sad prophecy of the vengeance to come. When she laughs her loudest the look is still there. The same look can be seen in the eyes of Russian peasants; and those of us left will see it some day on Gabriel's face when he comes to blow us up. It is a look that should wither and abash man; but he has been known to smirk at it and offer flowers - with a string tied to them.

Now lift your hat and come away, while you receive Lou

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