Глава 8. Женская сексуальность и модерн
Bayer, A., ed. Art and Love in Renaissance Italy . New Haven: Yale University Press, Metropolitan Museum of Art, 2009.
Bisanz-Prakken, M. Gustav Klimt: The Late Work. New Light on the Virgin and the Bride in Gustav Klimt / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection . R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007.
Bogner, P. Gustav Klimt’s Geometric Compositions in Vienna 1900. Paris: Édition de la Réunion des Musées Nationaux, 2005.
Brandstätter, C., ed. Vienna 1900: Art, Life and Culture. New York: Vendome Press, 2006.
Braun, E. Carnal Knowledge / In: Modigliani and His Models . London: Royal Academy of Arts, 2006. Pp. 45–63.
Braun, E. Ornament and Evolution: Gustav Klimt and Berta Zuckerkandl / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection . R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007.
Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 301–307.
Clark, D. L. The masturbating Venuses of Raphael, Giorgione, Titian, Ovid, Martial, and Poliziano // Aurora: Journal of the History of Art 6 (2005): 1–14.
Clark, K. What Is a Masterpiece? New York: Thames and Hudson, 1992.
Comini, A. Gustav Klimt. New York: George Braziller, 1975.
Cormack, R., and M. Vassilaki, eds. Byzantium. London: Royal Academy of Arts, 2008.
Dijkstra, B. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. New York: Oxford University Press, 1986.
Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism . P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994.
Feyerabend, P. Science as art: A discussion of Riegl’s theory of art and an attempt to apply it to the sciences // Art &Text 12/13 (Summer 1983 – Autumn 1984): 16–46.
Freedberg, D. The Power of Images. Studies in the History and Theory of Response. Chicago: University of Chicago Press, 1989.
Freud, S. The Interpretation of Dreams. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vols. IV, V. London: Hogarth Press, 1953.
Freud, S. The Infantile Genital Organization (An Interpolation into the Theory of Sexuality). The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XIX. London: Hogarth Press. Pp. 139–146.
Freud, S. The Dissolution of the Oedipus Complex. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XIX. London: Hogarth Press. Pp. 171–180.
Goffen, R. Titian’s Women. New Haven and London: Yale University Press, 1997.
Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986.
Greenberg, C. Modernist Painting . Washington, DC: Forum Lectures, 1960.
Gubser, M. Time and history in Alois Riegl’s Theory of Perception // Journal of the History of Ideas 66 (2005): 451–474.
Kemp, W. Introduction / In: Riegl, A. The Group Portraiture of Holland. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999.
Kokoschka, O. My Life . New York: Macmillan, 1971.
Lillie, S., and G. Gaugusch Portrait of Adele Bloch-Bauer. New York: Neue Galerie, 1984.
Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection . R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. Pp. 130–143.
Natter, T. G., and M. Hollein The Naked Truth: Klimt, Schiele, Kokoschka and Other Scandals. New York: Prestel Publishing, 2005.
Price, R., ed. Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection . New York: Neue Galerie, Prestel Publishing, 2007.
Ratliff, F. The influence of contour on contrast: From cave painting to Cambridge psychology // Transactions of the American Philosophical Society 75 (6) 1985: 1–19.
Rice, T. D. Art of the Byzantine Era. London: Thames and Hudson, 1985.
Riegl, A. The Group Portraiture of Holland. Intro. by W. Kemp. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999.
Rodin, A. Art. Boston: Small, Maynard, 1912.
Schorske, C. E. Fin-de-Siècle Vienna: Politics and Culture . New York: Vintage Books, 1981.
Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1–14.
Utamaru, K. Picture Book: The Laughing Drinker. 2 vols. 1972. British Museum Publications, 1803.
Waissenberger, R., ed. Vienna 1890–1920. New York: Tabard Press, 1984.
Westheimer, R. The Art of Arousal. New York: Artabras, 1993.
Whalen, R. W. Sacred Spring: God and the Birth of Modernism in Fin de Siècle Vienna. Wm B. Eerdmans. Cambridge, 2007.
Whitford, F. Gustav Klimt (World of Art). London: Thames and Hudson, 1990.