Exercise 65 Read the article

How Film Composers Work

(taken from http://entertainment.howstuffworks.com/film-composer.htm)

A) _________________________

A film composer can do many things, depending on the project – and every film composer has a different style. Basically, a film composer scores music to accompany a film. This could be a dramatic orchestral underscore, or it could rely on some other style of songwriting and a smaller ensemble of musicians. The film music composer:

Meets with the director and movie producers, when the film has been shot and is being edited, to discuss music needs for the film.
Takes part in a spotting session, in which the film composer, director and others watch the movie and decide where each segment of music should start and stop in the film, why it's being included and how it should sound.
Writes the score, a compilation of all the musical sections needed for the film. The score for a feature film is usually about half the length of the film, so a composer would probably have to write about 50 minutes of music for a 100-minute movie.
Prepares scores for the musicians, or gives notes and a rough score to the arrangers and copyists so that they can provide a complete musicians' score

B) _________________________

Particularly on smaller or independent films, the movie composer may also:

Hire the musicians
Conduct the musicians
Help edit and mix the final score

However, some of these responsibilities may be divided up among others working on the film, such as:

The music editor, who mixes and synchronizes the music with the film soundtrack. The music editor often also oversees the scoring process.

The orchestrator, who writes the scores for the orchestra, band, chorus and solo instrumentalists or vocalists. The orchestrator may also transpose music for the group and conduct the musicians during scoring sessions.

The contractor, who hires the musicians and deals with union contract obligations through the American Federation of Musicians.

The film arranger, who uses the composer's work and instructions to create a score for the musicians, if the composer has not already done so.

The film conductor, who rehearses the musicians and conducts them during the film scoring session. He listens to input from the composer and producer during the session and has the musicians make changes.

The assistant to the composer, an entry-level position for someone who handles details for the composer so that he can focus on composing.

The sound designer, who creates synthesized music and sound effects to go with the musical score.

C) _________________________

In the days when the major studios ruled Hollywood, working as a film composer meant working as a studio employee. Film composers were expected to be able to work in a variety of styles and had months to complete the score for a film. In fact, the film music composer often didn't even enter the filmmaking process until an edited first cut of the film was available.

Today, most movie music composers work as independents -- and have far less time to complete a score, often two months or less to produce and record an hour of music. Digital technology and temp tracks allow filming, editing and music composition to overlap.

Technology helps on the composing side, too. Electronic systems have, for example, eliminated the need for a composer to do musical notation by hand or to copy out each instrument's part from the complete score. But, as in other industries, labor-saving technology has increased demands for speedier work turn-around.

Film composers have to be creative and practical artists, solid musicians who also are adept with music and audio mixing technology. Film composer Cody Westheimer has a studio in a Los Angeles guesthouse. Here's the set-up he works with:

Digital Performer running on a Macintosh G5
Three PCs running Gigastudio
Several other synthesizers
Millenia preamps
Audio Technica microphones
A Panasonic digital mixer

The number of film composers far outnumbers the number of film scoring jobs. So out on their own, movie music composers also have to be masters of other skills, such as business and marketing. For indie composer Robert Toteras, that means spending only 50 percent of his time on music and the rest on hustling up work. The most important things in his business, he says, are the Internet and lists of new and old clients. Moving up through the film industry takes time and contacts and flexibility. Along the way, that may mean pursuing jobs other than feature films. Westheimer, for example, has scored video games, university educational programs, commercials, short films, film trailers and documentaries. He started with student films at the University of Southern California.

D) _________________________

If you're thinking of becoming a film composer, you probably love movies and are a talented musician who enjoys composing. And based on responses of 12 film composers to a Variety magazine question, you've probably felt that way for a long time. Most film music composers describe themselves as writing music and being inspired by a movie before they reached high school.

But, as you may suspect, there's no specific way to become a movie composer. Well-known, award-winning movie music composers have taken different paths in building their careers.

Summary.Basically, a film composer scores music to accompany a film.

The film music composer:

meets with the director and producers to discuss music needs for the film
takes part in a spotting session, in which the film composer, director and others watch the movie and decide where each segment of music should start and stop in the film and how it should sound
writes the score
prepares scores for the musicians

On smaller or independent films, the movie composer may also: