The Process of Development and change of meaning

The second question we must answer in this chapter is how new meanings develop. To find the answer to this question we must investigate the inner mechanism of this process, or at least its essential features. Let us examine the examples given above from a new angle, from within, so to speak.

1 Most scholars distinguish between the terms development of meaning (when a new meaning and the one on the basis of which it is formed coexist in the semantic structure of the word, as in mill, carriage, etc.) and change of meaning (when the old meaning is completely replaced by the new one, as in the noun meat which in Old English had the general meaning of "food" but in Modern English is no longer used in that sense and has instead developed the meaning "flesh of animals used as a food product").

Why was it that the word mill — and not some other word — was selected to denote the first textile factories? There must have been some connection between the former sense of mill and the new phenomenon to which it was applied. And there was apparently such a connection. Mills which produced flour, were mainly driven by water. The textile factories also firstly used water power. So, in general terms, the meanings of mill, both the old and the new one, could be defined as "an establishment using water power to produce certain goods". Thus, the first textile factories were easily associated with mills producing flour, and the new meaning of mill appeared due to this association. In actual fact, all cases of development or change of meaning are based on some association. In the history of the word carriage, the new travelling conveyance was also naturally associated in people's minds with the old one: horse-drawn vehicle > part of a railway train. Both these objects were related to the idea of travelling. The job of both, the horse-drawn carriage and the railway carriage, is the same: to carry passengers on a journey. So the association was logically well-founded.

Stalls and box formed their meanings in which they denoted parts of the theatre on the basis of a different type of association. The meaning of the word box "a small separate enclosure forming a part of the theatre" developed on the basis of its former meaning "a rectangular container used for packing or storing things". The two objects became associated in the speakers' minds because boxes in the earliest English theatres really resembled packing cases. They were enclosed on all sides and heavily curtained even on the side facing the audience so as to conceal the privileged spectators occupying them from curious or insolent stares.

The association on which the theatrical meaning of stalls was based is even more curious. The original meaning was "compartments in stables or sheds for the accommodation of animals (e. g. cows, horses, etc.)". There does not seem to be much in common between the privileged and expensive part of a theatre and stables intended for cows and horses, unless we take into consideration the fact that theatres in olden times greatly differed from what they are now. What is now known as the stalls was, at that time, standing space divided by barriers into sections so as to prevent the enthusiastic crowd from knocking one other down and hurting themselves. So, there must have been a certain outward resemblance between theatre stalls and cattle stalls. It is also possible that the word was first used humorously or satirically in this new sense.

The process of development of a new meaning (or a change of meaning) is traditionally termed transference.

Some scholars mistakenly use the term "transference of meaning" which is a serious mistake. It is very important to note that in any case of semantic change it is not the meaning but the word that is being transferred from one referent onto another (e. g. from a horse- drawn vehicle onto a railway car). The result of such a transference is the appearance of a new meaning.

Two types of transference are distinguishable depending on the two types of logical associations underlying the semantic process.

Transference Based on Resemblance (Similarity)

This type of transference is also referred to as linguistic metaphor. A new meaning appears as a result of associating two objects (phenomena, qualities, etc.) due to their outward similarity. Box and stall, as should be clear from the explanations above, are examples of this type of transference.

Other examples can be given in which transference is also based on the association of two physical objects. The noun eye, for instance, has for one of its meanings "hole in the end of a needle" (cf. with the R. ушко иголки), which also developed through transference based on resemblance. A similar case is represented by the neck of a bottle.

The noun drop (mostly in the plural form) has, in addition to its main meaning "a small particle of water or other liquid", the meanings: "ear-rings shaped as drops of water" (e. g. diamond drops) and "candy of the same shape" (e. g. mint drops). It is quite obvious that both these meanings are also based on resemblance. In the compound word snowdrop the meaning of the second constituent underwent the same shift of meaning (also, in bluebell). In general, metaphorical change of meaning is often observed in idiomatic compounds.

The main meaning of the noun branch is "limb or subdivision of a tree or bush". On the basis of this meaning it developed several more. One of them is "a special field of science or art" (as in a branch of linguistics). This meaning brings us into the sphere of the abstract, and shows that in transference based on resemblance an association may be built not only between two physical objects, but also between a concrete object and an abstract concept.

The noun bar from the original meaning barrier developed a figurative meaning realised in such contexts as social bars, colour bar, racial bar. Here, again, as in the abstract meaning of branch, a concrete object is associated with an abstract concept.

The noun star on the basis of the meaning "heavenly body" de-veloped the meaning "famous actor or actress". Nowadays the mean-ing has considerably widened its range, and the word is applied not only to screen idols (as it was at first), but, also, to popular sportsmen (e. g. football, stars), pop-singers, etc. Of course, the first use of the word star to denote a popular actor must have been humorous or ironical: the mental picture created by the use of the word in this new meaning was a kind of semi-god surrounded by the bright rays of his glory. Yet, very soon the ironical colouring was lost, and, furthermore the association with the original meaning considerably weakened and is gradually erased.

The meanings formed through this type of transference are frequently found in the informal strata of the vocabulary, especially in slang (see Ch. 1). A red-headed boy is almost certain to be nicknamed carrot or ginger by his schoolmates, and the one who is given to spying and sneaking gets the derogatory nickname of rat. Both these' meanings are metaphorical, though, of course, the children using them are quite unconscious of this fact.

The slang meanings of words such as nut, onion (= head), saucers (= eyes), hoofs (== feet) and very many others were all formed by transference based on resemblance.

Transference Based on Contiguity

Another term for this type of transference is linguistic metonymy. The association is based upon subtle psychological links between different objects and phenomena, sometimes traced and identified with much difficulty. The two objects may be associated together because they often appear in common situations, and so the image of one is easily accompanied by the image of the other; or they may be associated on the principle of cause and effect, of common function, of some material and an object which is made of it, etc.

Let us consider some cases of transference based on contiguity. You will notice that they are of different kinds.

The Old English adjective glad meant "bright, shining" (it was applied to the sun, to gold and precious stones, to shining armour, etc.). The later (and more modern) meaning "joyful" developed on the basis of the usual association (which is reflected in most languages) of light with joy (cf. with the R. светлое настроение; светло на душе).

The meaning of the adjective sad in Old English was "satisfied with food" (cf. with the R. сыт(ый) which is a word of the same Indo-European root). Later this meaning developed a connotation of a greater intensity of quality and came to mean "oversatisfied with food; having eaten too much". Thus, the meaning of the adjective sad developed a negative evaluative connotation and now described not a happy state of satisfaction but, on the contrary, the physical unease and discomfort of a person who has had too much to eat. The next shift of meaning was to transform the description of physical discom-fort into one of spiritual discontent because these two states often go together. It was from this prosaic source that the modern meaning of sad "melancholy", "sorrowful" developed, and the adjective describes now a purely emotional state. The two previous meanings ("satisfied with food" and "having eaten too much") were ousted from the se-mantic structure of the word long ago.

The foot of a bed is the place where the feet rest when one lies in the bed, but the foot of a mountain got its name by another association: the foot of a mountain is its lowest part, so that the association here is founded on common position.

By the arms of an arm-chair we mean the place where the arms lie when one is setting in the chair, so that the type of association here is the same as in the foot of a bed. The leg of a bed (table, chair, etc.), though, is the part which serves as a support, the original meaning being "the leg of a man or animal". The association that lies behind this development of meaning is the common function: a piece of furniture is supported by its legs just as living beings are supported by theirs.

The meaning of the noun hand realised in the context hand of a clock (watch) originates from the main meaning of this noun "part of human body". It also developed due to the association of the common function: the hand of a clock points to the figures on the face of the clock, and one of the functions of human hand is also that of pointing to things.

Another meaning of hand realised in such contexts as factory hands, farm hands is based on another kind of association: strong, skilful hands are the most important feature that is required of a per-son engaged in physical labour (cf. with the R. рабочие руки).

The adjective dull (see the scheme of its semantic structure in Ch. 7) developed its meaning "not clear or bright" (as in a dull green col-our; dull light; dull shapes) on the basis of the former meaning "deficient in eyesight", and its meaning "not loud or distinct" (as in dull sounds) on the basis of the older meaning "deficient in hearing". The association here was obviously that of cause and effect: to a person with weak eyesight all colours appear pale, and all shapes blurred; to a person with deficient hearing all sounds are indistinct.

The main (and oldest registered) meaning of the noun board was "a flat and thin piece of wood; a wooden plank". On the basis of this meaning developed the meaning "table" which is now archaic. The association which underlay this semantic shift was that of the material and the object made from it: a wooden plank (or several planks) is an essential part of any table. This type of association is often found with nouns denoting clothes: e. g. a taffeta ("dress made of taffeta"); a mink ("mink coat"), a jersy ("knitted shirt or sweater").

Meanings produced through transference based on contiguity sometimes originate from geographical or proper names. China in the sense of "dishes made of porcelain" originated from the name of the country which was believed to be the birthplace of porcelain.

Tweed ("a coarse wool cloth") got its name from the river Tweed and cheviot (another kind of wool cloth) from the Cheviot hills in England.

The name of a painter is frequently transferred onto one of his pictures: a Matisse — a painting by Matisse.1

Broadening (or Generalisation) of Meaning. Narrowing (or Specialisation) of Meaning

Sometimes, the process of transference may result in a consider-able change in range of meaning. For instance, the verb to arrive (French borrowing) began its life in English in the narrow meaning "to come to shore, to land". In Modern English it has greatly widened its combinability and developed the general meaning "to come" (e. g. to arrive in a village, town, city, country, at a hotel, hostel, college, theatre, place, etc.). The meaning developed through transference based on contiguity (the concept of coming somewhere is the same for both meanings), but the range of the second meaning is much broader.

Another example of the broadening of meaning is pipe. Its earliest recorded meaning was "a musical wind instrument". Nowadays it can denote any hollow oblong cylindrical body (e. g. water pipes). This meaning developed through transference based on the similarity of shape (pipe as a musical instrument is also a hollow oblong cylindrical object) which finally led to a considerable broadening of the range of meaning.

The word bird changed its meaning from "the young of a bird" to its modern meaning through transference based on contiguity (the association is obvious). The second meaning is broader and more general.

It is interesting to trace the history of the word girl as an example of the changes in the range of meaning in the course of the semantic development of a word.

In Middle English it had the meaning of "a small child of either sex". Then the word underwent the process of transference based on contiguity and developed the meaning of "a small child of the female sex", so that the range of meaning was somewhat narrowed. In its further semantic development the word gradually broadened its range of meaning. At first it came to denote not only a female child but, also, a young unmarried woman, later, any young woman, and in modern colloquial English it is practically synonymous to the noun woman (e. g. The old girl must be at least seventy), so that its range of meaning is quite broad.

The history of the noun lady somewhat resembles that of girl. In Old English the word denoted the mistress of the house, i. e. any married woman. Later, a new meaning developed which was much narrower in range: "the wife or daughter of a baronet" (aristocratic title). In Modern English the word lady can be applied to any woman, so that its range of meaning is even broader than that of the OE. In Modern English the difference between girl and lady in the meaning of woman is that the first is used in colloquial style and sounds familiar whereas the second is more formal and polite. Here are some more examples of narrowing of meaning:

Deer: [ any beast] > [ a certain kind of beast ]

Meat: [ any food] > I a certain food product [

Boy: I any young person of the male sex [ servant of the male sex ]

It should be pointed out once more that in all these words the second meaning developed through transference based on contiguity, and that when we speak of them as examples of narrowing of meaning we simply imply that the range of the second meaning is more narrow than that of the original meaning.