Состояний: поиски базовых эмоций

Bostrom, A., Scherf, G., Lambotte, M.-C., Potzl-Malikova, M. Franz Xaver Messerschmidt 1736–1783: From Neoclassicism to Expressionism . Italy: Officina Libraria, 2010.

Bradley, M. M., and D. Sabatinelli Startle reflex modulation: Perception, attention, and emotion / In: Experimental Methods in Neuropsychology . K. Hugdahl, ed. Norwell, MA: Kluwer Academic Publishers, 2003. P. 78.

Changeux, J. P. Art and neuroscience // Leonardo 27 (3) 1994: 189–201.

Chartrand, T. L., and J. A. Bargh The chameleon effect: The perception-behavior link and social interaction // Journal of Personality and Social Psychology 76 (6) 1999: 893–910.

Damasio, A. R. The Feeling of What Happens: Body and Emotion In the Making of Consciousness. Boston: Mariner Books, 1999.

Darwin, C. On the Origin of Species by Means of Natural Selection. New York: Appleton-Century-Crofts, 1859.

Darwin, C. The Descent of Man and Selection in Relation to Sex. New York: Appleton-Century-Crofts, 1871.

Darwin, C. The Expression of the Emotions in Man and Animals. New York: Appleton-Century-Crofts, 1872.

Descartes, R. Treatise on the Passions of the Soul (1694). The Philosophical Works of Descartes. Cambridge University Press. 1967.

Dijkstra, B. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. New York and Oxford: Oxford University Press, 1986.

Ekman, P. The argument and evidence about universals in facial expressions of emotion / In: Handbook of Psychophysiology: Emotion and Social Behavior . H. Wagner, A. Manstead, ed. London: John Wiley & Sons, 1989. Pp. 143–164.

Freud, S. An Outline of Psycho-Analysis. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XXIII. London: Hogarth Press, 1964. Pp. 139–208.

Freud, S. Collected Papers. Vol. IV. London: Hogarth Press and Institute of Psychoanalysis, 1950.

Gay, P. The Freud Reader. New York: W. W. Norton, 1989.

Gombrich, E. H. The Story of Art. London: Phaidon Press, 1955.

Helmholtz, H. von Treatise on Physiological Optics (1910). Southall, J. P. C., editor & translator. New York: Dover, 1925.

Iverson, S., Kupfermann, I., and E. R. Kandel Emotional States and Feelings / In: Principles of Neural Science . 4th ed. E. R. Kandel, J. H. Schwartz, T. Jessell, eds. New York: McGraw-Hill, 2000. Pp. 982–997.

James, W. The Principles of Psychology. Cambridge, MA, and London: Harvard University Press, 1890.

Kant, I. Groundwork for the Metaphysics of Morals (1785). New York: Cambridge University Press, 1998.

Kemball, R. Art in Darwin’s terms // Times Literary Supplement, March 20, 2009.

Kris, E. Psychoanalytic Explorations in Art. New York: International Universities Press, 1952.

Lang, P. J. The emotion probe: Studies of motivation and attention // American Psychologist 50 (5) 1995: 272–285.

Panofsky, E. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. Boulder, CO: Westview Press, 1939.

Pascalis, O., de Haan, M., and C. A. Nelson Is face processing species-specific during the first year of life? // Science Magazine 296 (5571) 2002: 1321–1323.

Rolls, E. T. Emotion Explained. New York: Oxford University Press, 2005.

Silva, P. J. Emotional response to art: From collation and arousal to cognition and emotion // Review of General Psychology 90 (2005): 342–357.

Slaughter, V., and M. Heron Origins and early development of human body knowledge // Monographs of the Society for Research in Child Development 69 (2) 2004: 103–113.

Solms, M., and E. Nersessian Freud’s theory of affect: Questions for neuroscience // Neuropsychoanalysis 1 (1999): 5–14.

Sousa, R. de Emotion / In: The Stanford Encyclopedia of Philosophy. E. N. Zalta, ed. Stanford, CA: Metaphysics Research Lab, 2010.

Strack, F., Martin, L. L., and S. Stepper Inhibiting and facilitating conditions of the human smile: A nonobtrusive test of the facial feedback hypothesis // Journal of Personality and Social Psychology 54 (5) 1988: 768–777.

Глава 20. Передача эмоций

Художественными средствами

Aiken, N. E. Physiognomy and art: Approaches from above, below, and sideways // Visual Art Research 10 (1984): 52–65.

Barnett, J. R., Miller, S., and E. Pearce Colour and art: A brief history of pigments // Optics and Laser Technology 38 (2006): 445–453.

Chartrand, T. L., and J. A. Bargh The chameleon effect: The perception-behavior link and social interaction // Journal of Personality and Social Psychology 76 (6) 1999: 893–910.

Damasio, A. Descartes’ Error: Emotion, Reason, and the Human Brain. New York: G. P. Putnam’s Sons, 1994.

Darwin, C. The Expression of the Emotions in Man and Animals. New York: Appleton-Century-Crofts, 1872.

Downing, P. E., Jiang, Y., Shuman, M., and N. Kanwisher A cortical area selective for visual processing of the human body // Science 293 (5539) 2001: 2470–2473.

Ekman, P. Emotions Revealed: Recognizing Faces and Feelings to Improve Communication and Emotional Life. New York: Owl Books, 2003.

Frith, U. Autism: Explaining the Enigma. Oxford: Blackwell Publishing, 1989.

Gage, J. Color in Art. London: Thames and Hudson, 2006.

Hughes, R. The Shock of the New: Art and the Century of Change. 2nd ed. London: Thames and Hudson, 1991.

Javal, E. Physiologie de la Lecture et de l’Écriture . Paris: Felix Alcan, 1906.

Langton, S. R. H., Watt, R. J., and V. Bruce Do the eyes have it? Cues to the direction of social attention // Trends in Cognitive Science 4 (2000): 50–59.

Livingstone, M. Vision and Art: The Biology of Seeing. New York: Harry N. Abrams, 2002.

Livingstone, M., and D. Hubel Segregation of form, color, movement, and depth: Anatomy, physiology, and perception // Science 240 (1988): 740–749.

Lotto, R. B., and D. Purves Perceiving color // Review of Progress in Coloration 34 (2004): 12–25.

Marks, W. B., Dobelle, W. H., and E. F. MacNichol Visual pigments of single primate cones // Science 13 (1964): 1181–1182.

Molnar, F. About the role of visual exploration in aesthetics / In: Advances in Intrinsic Motivation and Aesthetics. H. Day, ed. New York: Plenum, 1981.

Natter, T. G., ed. Oskar Kokoschka: Early Portraits from Vienna and Berlin, 1909–1914. Köln: Dumont Buchverlag, 2002.

Nodine, C. F., Locher, P. J., and E. A. Krupinski The role of formal art training on perception and aesthetic judgment of art compositions // Leonardo 26 (3) 1993: 219–227.

Pelphrey, K. A., Morris, J. P., and G. McCarthy Grasping the intentions of others: The perceived intentionality of an action influences activity in the superior temporal sulcus during social perception // Journal of Cognitive Neuroscience 16 (10) 2004: 1706–1716.

Pirenne, M. H. Rods and cones and Thomas Young’s theory of color vision // Nature 154 (1944): 741–742.

Puce, A., Allison, T., Bentin, S., Gore, J. C., and G. McCarthy Temporal cortex activation in humans viewing eye and mouth movements // Journal of Neuroscience 18 (1998): 2188–2199.

Sacco, T., and B. Sacchetti Role of secondary sensory cortices in emotional memory storage and retrieval in rats // Science 329 (2010): 649–656.

Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: The vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1–14.

Slaughter, V., and M. Heron Origins and early development of human body knowledge // Monographs of the Society for Research in Child Development 69 (2) 2004: 103–113.

Solso, R. L. Cognition and the Visual Arts. Cambridge, MA: MIT Press, Bradford Books, 1994.

Zeki, S. Splendors and Miseries of the Brain. Oxford: Wiley-Blackwell, 2008.